ॐ श्री गुरुभ्यो नमः ॐ श्री शिवानन्दाय नमः ॐ श्री चिदानन्दाय नमःॐ श्री दुर्गायै नमः
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Halebidu, which literally means “old capital city” or “ruined city,” is a town located in the Hassan District of Karnataka, India. Historically known as Dorasamudra or Dwarasamudra, Halebidu became the regal capital of the Hoysala Empire in the 11th century CE.
In modern literature, the town is often referred to as Halebeedu or Halebid—a local name that emerged after the town was damaged and deserted following two invasions by the forces of the Delhi Sultanate in the 14th century.
Halebidu is home to some of the finest examples of Hindu and Jain temples, showcasing the distinctive Hoysala architecture.

These show the breadth of Hindu artwork traditions. Shiva, Vishnu, Devi and Vedic deities all fused into the same temple complex, depicted with a diversity of regional heritages, along with inscriptions in scripts from South and North India.

The Hindu temples include Jaina reliefs in its panel. Similarly, the Jaina artwork includes the different Tirthankara as well as a Saraswati within its Mantapa.

Most notable among the Halebidu monuments are the ornate Hoysalesvara temple, Kedareshwara temple, Jaina Basadi temples, as well as the Hulikere step well – all in close vicinity.

The Hoysaleshwara Temple remains the only surviving monument in Halebidu.
Location
Halebidu is connected by road and rail to Hassan (30 km), Mysore (150 km) and Mangalore (184 km). It is about 15 kilometers from Belur, another site known for its intricately carved Hoysala era temples.

Halebidu is in the midst of a valley east of the Western Ghats. It is surrounded by low-lying mountains, boulders and seasonal rivers.
Hoysaleswara temple, also referred simply as the Halebidu temple, is a 12th-century Hindu temple dedicated to Shiva. It is the largest monument in Halebidu – the former capital of the Hoysala Empire.

A Few YouTube Videos of Halebidu Hoysala Temple
The temple was built on the banks of a large man-made lake and was sponsored by King Vishnuvardhana of the Hoysala Empire.
Construction began around 1121 CE and was completed in 1160 CE.
In the early 14th century, Halebidu was twice sacked and plundered by the Muslim armies of the Delhi Sultanate from northern India, leading to the temple and the capital falling into a state of ruin and neglect. Halebidu is located about 210 kilometers from Bengaluru.

The Hoysaleswara temple is a Shaivism tradition monument, yet it reverentially includes many themes from Vaishnavism and Shaktism traditions of Hinduism, as well as images from Jainism.
The temple is a twin-temple dedicated to the Hoysaleswara and Santaleswara Shiva Lingas, named after the masculine and feminine aspects, both equal and joined at their transept.

It has two Nandi shrines outside, with each seated Nandi facing its respective Shiva Linga inside.
The temple also includes a smaller sanctum dedicated to the Hindu Sun god, Surya. It once had superstructure towers, but these are no longer present, giving the temple a flat appearance.

The temple faces east, though the monument is presently visited from the north side. Both the main temples and the Nandi shrines are based on a square plan.
The temple was carved from soapstone. It is notable for its sculptures, intricate reliefs, detailed friezes as well its history, iconography, inscriptions in North Indian and South Indian scripts.
A Few YouTube Videos of Halebidu Hoysala Temple
The temple artwork provides a pictorial window into the life and culture in the 12th century South India.
About 340 large reliefs depict the Hindu theology and associated legends. Numerous smaller friezes narrate Hindu texts such as the Ramayana, the Mahabharata and the Bhagavata Purana.

A Few YouTube Videos of Halebidu Hoysala Temple
The artwork in Hoysaleswara temple is damaged but largely intact. Within a few kilometers of the temple are numerous ruins of Hoysala architecture.
The temple, along with the nearby Jain Temples and the Kedareshwara temple as well as the Kesava temple in Belur, have been proposed to be listed under UNESCO World Heritage Sites.

Halebidu has no nearby airport, and is about 210 kilometres west of Bengaluru, about 4 hours drive.
Description of the temple
The Hoysaleswara temple, also spelled as Hoysaleshwara or Hoywalesvara temple, is a twin-temple, or Dvikuta Vimana – plan with two shrines and two superstructures).

The two temples are of the same size, and their Sanctums open to the east, facing sunrise.
The Sanctum of the ‘Hoysaleswara’ (the king) and the other for ‘Shantaleswara’ (the queen, Shantala Devi) both have a Shiva linga.

Outside on the east side of the main temples are two smaller shrines, each with seated Nandi. To the east of the southern Nandi shrine is a smaller attached Surya shrine, where there is a 7 feet tall Surya statue facing the Nandi and the Sanctum.

The temple complex as a whole is placed on a Jagati which literally means worldly platform. The smaller shrines share the same Jagati as the main temple, connected by stone stairs.

The two Sanctums are next to each other in a north–south alignment, both face east, and each have in front a Mandapa.
The two Mandapas are connected giving a view of a large, open Navaranga for family and public gatherings.

The temple had towers on top of each Sanctum, but they are now missing.
The temple was built with soapstone. The soapstone is soft when quarried and easier to carve into intricate shapes, but hardens over time when exposed to air.
Outer Walls
The outer walls of the temple are intricately carved. The lowest layers feature bands with friezes depicting, from bottom to top: elephants, lions, scrolls with nature and miniature dancers, horses, scrolls, scenes from Hindu texts, mythical beasts (Makara), and swans.
No two lions are alike across the entire span of more than a furlong (200 meters).
The artists have skillfully depicted scenes from the Ramayana, the Mahabharata, and the main episodes of the Bhagavata. The temple’s outer wall serves as a pictorial narration of Hindu epics, with large panels in the middle portion presenting the entire pantheon of Hindu divinities. It is, in essence, a manual of Hindu iconography.
The quality and quantity of the epic-related friezes are astonishing, but the panels do not narrate the story in a continuous sequence; rather, different texts are intermingled at intervals.
The outer walls of the Hoysaleswara temple feature 340 large reliefs. The walls on the opposite side display additional large images.
A Few YouTube Videos of Halebidu Hoysala Temple
Doorways & Mandapas
The temple has four entrances. The one commonly used by visitors today is the northern entrance, which is closest to the parking lot. There is also an entrance on the south side and two on the east side, facing two large detached open pavilions whose ceilings are supported by lathe-turned pillars.
Originally, the temple had an open Navaranga, where the Mandapa pavilions were visible from outside the shrines, and the outside was visible to those inside the mandapa.
During the reign of Hoysala King Narasimha I, the Mandapa was enclosed, doors were added, and perforated stone screens were installed. Along with the four doors, later artists added Dvarapalas and other decorative elements.
Outside the southern doorway, in the park, are large statues, including one of Ganesha. These statues were originally located farther out at the outer gate of the temple premises but were damaged and later recovered from the ruins and placed closer to the temple.
The Navaranga includes two small niches facing each other between the two temples, where they are joined at the transept. These niches contain carvings and artwork, but the statues that once occupied them are missing. Near the western niche, there is a stone panel with a large Sanskrit inscription in both North Indian and South Indian scripts.
Pillars & Ceilings
The interior walls of the temple are relatively plain compared to the ornate outer walls, with the exception of the lathe-turned pillars that run in rows between the north and south entrances.
The four pillars in front of each shrine are the most ornate and are the only ones that feature Madanika sculptures in their pillar brackets.
The fused mandapa showcases a row of pillars aligned along the northwest axis. In the central navaranga of each temple’s mandapa, there are four pillars supporting a raised ceiling, which is intricately carved.
Each of the four pillars in this central navaranga originally had four standing Madanakai figures, totaling 16 figures per temple.
Of the 32 figures that adorned the central pillars of the two temples, 11 remain. Only 6 damaged figures have survived in the north temple, and 5 in the south temple.
A closer examination of the pillar capitals suggests that there was a figure on each pillar in the eastern row facing the sunrise, but all of these show signs of destruction, and none of the images have survived.
The pillar near the second eastern door has two damaged Madanakai, but the better-preserved figures are those in the central navaranga.
Sanctum Sanctorum
The twin-temple has two Sanctums (Garbha Grihas), each housing a Shiva linga. One Sanctum is dedicated to ‘Hoysaleswara’ Shiva (the king), and the other to ‘Shantaleswara’ Shiva (the queen, Shantala).
Both sanctums are of equal size, each a square with a Darsana Dvara (view doorway) on the east, and three niches on the north, west, and south walls.
Above the lintel between the Dvarapalas, there is intricate carving depicting Shiva with Parvati, accompanied by other Devas and Devis, as well as two large Makaras (mythical syncretic sea creatures). Varuna and his wife Varuni are shown riding on the Makaras. The doorjambs are adorned with Purnaghatas (vessels of abundance).
The sanctum walls are plain, designed to avoid distraction and focus the devotee’s attention on the spiritual symbol.
The temple also features smaller shrines, each with its own sanctum. For instance, the Nandi shrines house a Nandi in their sanctum, while the Surya shrine is dedicated to the Hindu Sun god
2 replies on “The Marvels of Karnataka: Halebidu Hoysaleswara Temple, An Amazing Example of Hoysala Architecture”
Hi Ms.Mala,
Nice to read through your blog. You have shared many interesting facts in this.
However, wanted to share one observation : the picture (the very first pic) that you have posted with a note that its halebedu seems to be that of somanathapura. May be you can fact check on that and do the modifications if required. Hope you d0ont mind me sharing this.
Thank you
LRK
If you find time, you may view my channel for covering some rare temples as well :https://www.youtube.com/channel/UCNZ_mJXCF10lfLq4WgSLfLQ
Any feedback on the blogposts in my blog are most welcome, LRK. This is a community, and all of us can learn from each other by sharing our knowledge generously with others.
Thank U for sharing the YouTube link with all the readers of this blog. Will be very useful to all of us.